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FM
Former Member
What is clearly at work here is that irrational fear of intellectualism
SEPTEMBER 11, 2011 | BY KNEWS | FILED UNDER LETTERS

Dear Editor,

I couldn’t help but notice the Minister of Culture, Dr. Frank Anthony, taking the time to respond with no small amount of opprobrium – and via Stabroek News’ letter columns – to what he considered a journalistic breach of ethics by Stabroek News sports reporter, Marlon Munroe. In relation to Mr. Munroe’s reporting of a comment that the Minister took to be said in confidence, Dr. Anthony writes: “At no time did he [Munroe] say that he would be using the contents of this private conversation to write an article… This smacks of unethical and unprofessional conduct.”

Speaking of which, I’d like to beg the editor’s indulgence in repeating my query to the Minister – or any officer he may wish to delegate to respond – regarding the public release of the names and relevant qualifications of the members of the literary contingents for Carifestas 8 and 9, and the recently concluded Inter-Guiana Cultural Festival.

At the risk of being accused of self-aggrandizement, let me offer a more or less detailed literary resume. I was a participant at the inaugural Cropper Foundation Writers’ in Trinidad in 2000; in 2001, I edited the Guyana Christmas Annual; in 2003, I received the Guyana Prize for Literature for Best First Book of Fiction – later that year I was a featured guest author at the inaugural Canadian-Caribbean Literary Expo in Toronto; in 2007, I received a certificate of recognition at the Guyana Prize 2006, for winning the 2002 Prize; I won the GT&T Carifesta X Literary Publication Award in 2008.

It is of course entirely possible that my literary qualifications – as outlined above – proved inadequate for membership on any of the government’s literary delegations to the festivals listed. I’ve simply asked the Minister – or any of his officers, Dr. James Rose, perhaps – to provide a list and the qualifications of those eminent literary persons who did make the cut, if only that I may be informed of the sort of creative achievement I should aspire to in order to fulfill the no-doubt objective placement criteria which governs the Ministry’s selection process for such contingents.
That rhetorical toying aside, again, I don’t expect an answer. There is none available that would not prove my point of the policy of nepotism that governs the government’s cultural policy. My original j’accuse against the Ministry is over a year old and I have not received so much as squeak in response.

For anyone interested in a practical demonstration of how the imbecilic arrogance that underwrites hubris can be exposed, this would be it. The government’s de facto policy towards literature produced in contemporary Guyana consists primarily of banking on the hope that whatever curious admixture of malign neglect and passive-aggressive sabotage that they subject it to is enough to damage it irreparably. What is clearly at work here is that irrational fear of intellectualism that afflicts the irredeemably ignorant or mediocre.

I know there is the temptation to see my apparently relentless tirade as primarily personal and perhaps even compensatory of some shortcoming on my part. I know for a fact that while there has been no public response to my queries, ironically, there is a snickering whispering in certain circles that I may be trying to protest myself into consideration for some nebulous special literary commendation or recognition, some sort of affirmative action.

So, when I argue for the Guyana Prize to be held regularly and not at the whim of the political administration, and with the stipulation that there should be literary workshops facilitated by the Prize Committee, it must be because that I want the Prize to be given to me and my deficient literary work and not to overseas-based writers and their better writing. It doesn’t matter that I’ve repeatedly said the Prize’ standards should not be lowered but the playing field leveled to give local authors the chance to compete effectively, in keeping with the developmental mandate, if not – granted – letter of the Prize. Nor does it matter that the academics in their thrall are not falling over themselves to pronounce on my literary incompetence, despite my work being readily available.

Or when I point out the nepotism that governs the selection for Guyana’s representation at cultural events, it must be because I simply didn’t make the cut and protesting is my way of getting in through the backdoor. It doesn’t matter that the Minister of Culture can’t simply discredit my accusations by publishing the names, qualifications and criteria for selection of those chosen to represent Guyana’s literary community at cultural events. This is of course the sort of ironic, disingenuous, self-deluding, self-righteous rationalization that is the last refuge of the corrupt and the intellectually bereft. These things are whispered but never expressed outside of their close circles because they cannot withstand the slightest interrogation.

Let me contextualise Dr. Frank Anthony’s policy in the selection of literary delegations thusly:
Imagine Ramnaresh Sarwan utterly dominating cricket locally, but the government of Guyana denying him the opportunity to represent the country internationally because he expressed legitimate criticism of the Demerara Cricket Board. Now imagine Sarwan writing a letter to the press, publicly challenging the Minister – who also has responsibility for sport – to release the batting averages of those cricketers who were selected, and being met with silence.

All that said, I admit freely that I owe the good Minister an apology. While I may have focused on his indefensible tendency to perpetuate discriminatory practices, it was merely to illustrate that his particular incompetence and prejudice as Minister responsible for culture policy is, ex pide Herculem, reflective of governmental policy throughout. Dr. Anthony – as both a government and ruling party executive – cannot escape his actions being construed as representative of the prevailing political administration.

Someone needs to send the administration a memo – the concept of eminent domain does not extend to the mind or conscience. And while Minister Anthony is free to personally indulge in that particularly parochial delusion, he and the government he represents should be aware – as I think would be obvious considering the present environment in which they find themselves – that while this sort of ill-advised and petulant policy of the suppression of ideas may have worked forty years ago in Soviet Russia, it cannot be sustained here.

Ruel Johnson

Source

Click for Ruel's other letters on this issue.

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The 2010 Guyana Prize was the most catastrophic ever
SEPTEMBER 19, 2011 | BY KNEWS | FILED UNDER LETTERS

Dear Editor,

Ruel Johnson is the voice in the wilderness protesting the mysteries of the Guyana Prize and now the mysteries of the first Inter-Cultural Festival.

It is fair to ask on what basis the Surinam team was chosen, their qualifications and why others were shunned. Surely the Director of Culture and the Minister of Culture can answer that simple question. Do they actually know, or care to know, who the qualified people are or do they only know the poseurs that surround them and claim to be practitioners and enablers? I support Ruel’s call to make the qualifications of Guyana’s literary representatives known to the public.

I disagree with something that Ruel wrote (KN, 11 Sept) that the Guyana Prize should be held regularly and not at the whims of the political administration. But on Plain Talk with Christopher Ram, Mr. Creighton casually said that he must take the blame for the missing 2008 Prize as he was too busy with Carifesta. This tells me that he was given the funds and held on to it for two more years without so much as the courtesy of an explanation or announcement to the public who kept on enquiring about the Prize.

Then was he given another budget for the 2010 Prizes? Incidentally, Mr. Hoyte never said anything about a Caribbean prize. This move is merely to impress Mr. Derek Walcott that we are not so puny as he thinks we are. We are running ahead to impress Caribbean people while our own writers are sadly neglected and rejected right here. The little so called remedies Mr. Creighton outlines are just drops in the bucket if they materialize at all.

Those same Caribbean people who turn us back from their airports and snatch our people from their beds or their workplaces and crudely deport them. The President should have asked Mr. Walcott about that. I wish that Mr. Christopher Ram, not being a man in the literary field himself and more versed in economics and law, had prepared better for his show with Ruel and Mr. Creighton. Then he could have asked Creighton some tough questions about the selection of the judges. Who really selects the judges? That is the big question. No aspersion on the judges but clearly there’s more in a mortar than a pestle. Then Mr. Ram could have asked Mr. Creighton why he withheld the shortlist, and instead of stretching out his legs, smiling smugly and grinning all the time on the show, Mr. Creighton would have been called to account and Ruel would not have been at so much pains to choose his words carefully not to offend the status quo.

The Guyana Prize Committee needs a complete shake-up with broad representation from the public and persons who work in the arts. All the members should not come from UG. This prize is 22 years old and going nowhere. The 2010 Prize was the most catastrophic ever. It has to be reconfigured not to exclude us year after year after year. Mr. Ram should have done his homework better.

And how is it that no citizen who defends Mr. Hoyte’s legacy can step up and ask questions of this closed shop Prize arrangement? The opposition is only concerned with politics and economics? They should concern themselves with the arts too and ask questions. We the writers are left to the mercy of the Guyana Prize and its visionless management team. The incoming President must have an advisory board for the arts made up of independent minds apart from the paid officers and those collecting funds for special projects. This is the 21st century and most areas of the arts in this country are run like petty dictatorships.

I wonder if maybe Ruel is right in thinking that this administration puts down its intellectuals.

D. Thorne

Source
FM
We need to know where we fell short
SEPTEMBER 20, 2011 | BY KNEWS | FILED UNDER LETTERS

Dear Editor,

The letter by D.Thorne in today’s issue of KN and captioned “The 2010 Guyana Prize was the most catastrophic ever” has prompted me to write this. I had read the one by Ruel Johnson and had wanted to put up this since then, but I hesitated, since as a newcomer to Guyana literature I did not want to get involved in a controversy. You see, in my retirement years in Toronto I have written a first fiction novel about life in a mythical country which could be mistaken for Guyana. I had it self-published and when I saw the advertisement for the Guyana Prize in December 2010, I sent my six copies to the Prize Committee by registered post from the Anna Regina Post Office.

I received no acknowledgement of receipt and some time afterwards I sent a self-addressed stamped envelope to one of the judges (name provided) asking for some indication that the parcel was received, but unto now there has been no reply. Then from here in Toronto I sent an e-mail to the address given in the prize advertisement asking again for confirmation that my submission was received, and again there was no reply. So far as I was able to see, the award of the Prize was not carried in any of the daily newspapers, at least not in the internet versions. I saw it published on Demerara Waves, and no award was made for the first fiction category, even though they admitted some interesting submissions were made.

While I agree with most of what Messrs. Johnson and Thorne have said in their letters, I am not going to set about making any criticisms here, apart from mentioning in passing that none of the judges seemed ever to have written or published a fictional novel, and whereas one does not have to be a chef to be a gourmet, as a lady once told me you cannot really know about child-delivery unless you have delivered one. As any author will tell you, writing a novel is something like delivering a child.

The whole purpose of this letter is to ask that if the judges, or the Ministry of Culture, are truely interested in promoting literature in Guyana, they send us urgenty and without delay, by e-mail or otherwise, fair criticisms of the works we submitted, so that we can see where we fell short of the high standards they quite properly require of budding writers. My e-mail address could be obtained from KN’s editor, and I hereby respectfully ask and authorise or it to be delivered to the Prize Committee or the Ministry if they request it.

Kumar D. Doobay

Source
FM
quote:

As any author will tell you, writing a novel is something like delivering a child.


Kumar D. Doobay
We need to know where we fell short
SEPTEMBER 20, 2011 | BY KNEWS | FILED UNDER LETTERS
Source


Like delivering, of course, but not actually delivering a child.

As Ted Turner stated .. paraphrase ..

There are those who ..

1. Lead.
2. Follow.
3. Are left behind, wandering around.
FM

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