FOREVER MOHD RAFI:
It seemed as though he could scale any heights of the pitch. The song from Mughal-e-Azam titled zindabad ai mohabbat is proof enough. His voice carried expressions and gave the listener an understanding of the scenes and actions without having actually seen the film. For example, in Barsaat Ki Raat the song zindagi bhar nahi has a poetic line, surkh aanchal ko dabakar jo nichora usne. And the way Rafi has emphasized the word nichora, you could almost imagine Madhubala wringing her aanchal. Or if you listen to the song from Baharein Phir Bhi Aayengi, phrased aap ke haseen rukh pe aaj naya noor hai, you can imagine the detailed facial expressions as expressed in the song.